In the words of critic and manager John Paul Huercanos, it is 'a territory modelled for reflection and silence.' In this way, when the public transits it they do not find any object or sign that is not part of the white space, defined by the geometry and volumetric projection.
The steps on the side -in turn hidden by a wall- allow an aerial view.Įl salto is the development of a space inside its seminal space. The second room is connected by a narrow opening in the wall, and leads to an area consisting of a bed with two pillows, whose dimensions far exceed a human scale. The installation consists of two parts: the first room traversed by a trampoline -tight, white horizontal line- which rises above the public eye and parallel to the ceiling. The result is a project where architecture and sculpture converge to create a place that, from a symbolic reading of white as a sign of purity, can be understood as sacred.
